?Anyone interested in rock photography knows the name Mick Rock, and anyone interested in rock—particularly of the classic and punk varieties—is aware of his images.
“I started taking pictures in late 1969,” says Rock. “The first pictures that people care about these days were probably of Syd Barrett, who was a friend of mine and had just left Pink Floyd.”
In addition to Barrett’s The Madcap Laughs, Rock shot the covers of Iggy and the Stooges’Raw Power, the Ramones’ End of the Century, Joan Jett’s I Love Rock ‘n’ Roll, Queen II, and Lou Reed’s Transformer. He’s also put together several books of his nigh-uncountable number of stills, concert photos, and candids.
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It is with the heaviest of hearts that we share our beloved psychedelic renegade Mick Rock has made the Jungian journey to the other side. Those who had the pleasure of existing in his orbit, know that Mick was always so much more than ’The Man Who Shot The 70s.’ He was a photographic poet — a true force of nature who spent his days doing exactly what he loved, always in his own delightfully outrageous way.
The stars seemed to effortlessly align for Mick when he was behind the camera; feeding off of the unique charisma of his subjects electrified and energized him. His intent always intense. His focus always total. A man fascinated with image, he absorbed visual beings through his lens and immersed himself in their art, thus creating some of the most magnificent photographs rock music has ever seen. To know Mick was to love him. He was a mythical creature; the likes of which we shall never experience again.
Let us not mourn the loss, but instead, celebrate the fabulous life and extraordinary career of Michael David Rock. While you do so in your own way, we must ask that the privacy of his nearest and dearest be respected at this time. Therefore, there will be no further comments.
Photo: Nathalie Rock