Exclusive: Mick Rock, ‘The Man Who Shot the Seventies,’ on David Bowie, Syd Barrett and More
By Colleen Nika
One of those clips, “Life On Mars,” recently underwent dramatic underworking by British film director Barney Clay and Rock himself as part of The Creator’s Project. Using raw footage and outtakes from the original clip, the result gives a dusty classic a striking new manifestation. As that exhibition travels the globe, Rock is keeping busy with a deluge of editorial work and personal projects; he’ll also be celebrating the December 8th opening of his new exhibit at W New York Downtown, which features both his iconic work and previously unseen candids of stars like Lady Gaga.
Rolling Stone caught up with Rock for a multi-ranging two-part interview.
It is with the heaviest of hearts that we share our beloved psychedelic renegade Mick Rock has made the Jungian journey to the other side. Those who had the pleasure of existing in his orbit, know that Mick was always so much more than ’The Man Who Shot The 70s.’ He was a photographic poet — a true force of nature who spent his days doing exactly what he loved, always in his own delightfully outrageous way.
The stars seemed to effortlessly align for Mick when he was behind the camera; feeding off of the unique charisma of his subjects electrified and energized him. His intent always intense. His focus always total. A man fascinated with image, he absorbed visual beings through his lens and immersed himself in their art, thus creating some of the most magnificent photographs rock music has ever seen. To know Mick was to love him. He was a mythical creature; the likes of which we shall never experience again.
Let us not mourn the loss, but instead, celebrate the fabulous life and extraordinary career of Michael David Rock. While you do so in your own way, we must ask that the privacy of his nearest and dearest be respected at this time. Therefore, there will be no further comments.
Photo: Nathalie Rock